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The Blossoms of Armageddon

by Sean Renner

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1.
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Yggdrasil 02:11
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Testament 05:13
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7.
Ophelia 04:45
8.
Winterburn 00:42
9.
Stay Back! 03:29
10.
Golgotha 03:56
11.
Blossoms 02:43

about

The Blossoms of Armageddon was written and recorded over a period of six months in London, England in 2007. It was released in 2009 on The Urban Sound label.

Recorded over a period of 6 months in London, England, The Blossoms of Armageddon weaves together an amazing blend of mythology, storytelling, and sonic experimentation. The foundation of The Blossoms of Armageddon is Renner’s signature ability to shape and manipulate his own recorded sounds and samples to create the unique, organic atmosphere that surrounds his music. While many of the samples used were recorded in London, during the production process, the rest were taken from recordings done by Renner during his final year at Elon Universty. Influenced by the history of his European setting, Renner creates a story of historical and spiritual exploration, and introduces us to the sincerity and true emotion that have come to define his music.

credits

released January 1, 2009

All instruments and vocals performed by Sean Renner with the exception of the electric guitar parts in “The Deccan Traps” and “Golgotha” Many thanks to Matt Dawson, who performed and recorded these parts at his home studio in Asheville, North Carolina. An overseas collaboration is a rare and great thing!

The Blossoms of Armageddon was recorded, mixed, and mastered by Sean Renner at 2002 Studios in London, England, for The Urban Sound record label with the help of Steven Gurevitz. Many thanks go to Steven for his great faith, confidence and his humbling generosity, without which this album would not have been possible.

The artwork for The Blossoms of Armageddon was painted by Sean's sister, Ashley Renner. Thanks for giving the music its colors, Ashley

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about

Sean Renner Los Angeles, California

Sean Renner continues to forge a unique musical path defined by the inimitably soulful sound world he creates for his groundbreaking recording projects, his captivating loop-based live performance, and his film scoring that combines his minimalist, organic-electronic production with orchestral instrumentation. ... more

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